Starting 16th January
Last class of the Spring Term. Reviewing personal projects
Ashes Project
A Guide to portraiture part 2 and using glycerine for creative effect.
A Guide to portraiture and using the 'shapes' tool in Affinity Photo
Personal project review
Photography has long been used as a tool for representing and communicating ideas about gender. Over the years, different photographers have employed a variety of techniques and approaches to capture images that convey their perspectives on gender.
One common representation of gender in photography is through the use of gender stereotypes. This can involve photographing men and women in traditional roles, such as men in suits and women in dresses, or portraying men as strong and dominant while women are passive and submissive. Such representations can reinforce societal expectations and stereotypes around gender, and can perpetuate inequalities.
However, there are also photographers who have challenged and subverted gender norms through their work. For example, Cindy Sherman’s self-portraits from the 1970s and 1980s depicted her in various costumes and personas, often challenging traditional representations of femininity. Similarly, Zanele Muholi’s photography of black lesbian, gay, bisexual, transgender, and intersex individuals in South Africa confronts issues of gender identity and sexual orientation.
In addition, photography has also been used to capture the experiences of marginalized gender identities, such as transgender and non-binary individuals. Photographers like Jess T. Dugan and Zackary Drucker have documented the lives of transgender people, highlighting the diversity of experiences within this community and humanizing those who are often subject to discrimination and violence.
Overall, the representations of gender in photography can be complex and multifaceted, reflecting the perspectives and approaches of the photographers who create them. While some representations may reinforce stereotypes and inequalities, others challenge and subvert them, and shed light on the experiences of marginalized communities.
'Memory' review and presentation of representations of gender in photography
Home Studio On A Budget
How to use text overlays
Adding Border, Textured Overlays and Using Blending Modes
Equipment and Accessories in preparation for a shoot
Friday 20th January. 'Morning Light'
Monday 16th January. 'Morning Light' & 'What Christmas means To Me' submissions
In the evening we looked at how to work out extreme long exposures at night along with balancing flash with coloured gels for the same exposure. The technique is to initially use the full auto setting on your camera to give you a starting point from which you transfer to the manual mode. From there you’ll need to take a series of shots that increase the exposure one stop at a time and this is normally done by increasing shutter speed only. It’s important to leave the aperture unchanged so you can work out the flash exposure later. For example. Initial auto exposure is 400 iso, 30 seconds at f5.6. Therefore one stop increases in exposure will be 60 seconds, 120 seconds and 240 seconds and so on. Yep you’re going to need a tripod! With the aperture at f5.6 you can set your flash into manual and start with a 1/4 power and increase or decrease the power depending on the light coverage you are getting. Of course this is depends on the power output of your flash. the distance to subject and which colour gel you use. The night was bitterly cold so we managed no more than 30 mins outside before we had to abandon the task. These images supplied by Colin Beattie give an indication of the variable exposures and the use of a single flash with a coloured gel.